Memorabilia

This contemporary ceramic vase features a rounded, bulbous form with a richly textured surface resembling organic, interwoven patterns, giving it a strong sculptural presence. It is created by Qatari artist Ahmed Al Haddad, known for blending traditional ceramic techniques with modern, experimental approaches inspired by nature and abstraction. His work focuses on form, texture, and organic expression in contemporary ceramics. Instagram: @ahmeds_art.qa This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

Pottery is not merely a vessel, but an intimate dialogue between clay, water, and fire. And I am the one who gathers them together, with the devotion of a lover, under the sacred name of pottery. The vessel passes through stages of care: from the shaping of clay, to its patient shrinking, until it hardens and becomes ceramic— a craft I embrace with pride, nurtured by my own hands. In my new vessel, a single nozzle was no longer enough. Just as we breathe with two lungs, so must my vessel breathe deeply, inhaling the fire’s burn through two mouths of air. And when the light slips into the body of the vessel, it becomes that glimmer at the end of the tunnel, a promise of passage, a reminder that even clay longs for breath… and for light. Artist: Ali Al-Awadhi is a Kuwaiti multidisciplinary artist specializing in contemporary ceramics. He holds a bachelor’s degree in art education and is considered one of the contributors to the development of the ceramic art movement in Kuwait. His works are characterized by experimentation, innovation, and a modern interpretation of cultural heritage. He has participated in several international exhibitions and art events, and he aims to promote Arabic ceramics globally through his artistic projects, including establishing a studio in London. Instagram: @ali2art This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

Fawaz Al Dawaish, a Kuwaiti ceramic artist, presents this contemporary handmade ceramic work inspired by nature and expressed through an organic sculptural form that suggests growth and vitality. The piece features a richly textured green body resembling layered leaf-like structures, while elongated yellow tubular forms rise from the top, evoking buds or emerging stems. The surface reflects advanced hand-building techniques, with visible tactile details and irregular edges that emphasize its handcrafted character, likely shaped through expressive modeling methods. A glossy glazed finish enhances the contrast between deep green and vibrant yellow tones, adding visual depth and energy. The work transforms natural inspiration into a contemporary ceramic expression that merges craftsmanship with a modern artistic vision. Instagram: (@fwzbdllh.ldwysh) / (@fawaz_art10) This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This piece is a hand-built ceramic sculptural bust created in a contemporary expressive style by the Bahraini artist Abdulrasool Alghayb. It presents a stylized human head with simplified facial features and braided hair details that carry symbolic references to identity and human expression. The artist employs hand-building techniques such as coil or slab construction, giving the surface a raw, tactile texture that highlights the handmade quality of the work. The polychrome glazed finish adds visual contrast and vitality, enhancing the emotional presence of the sculpture. Overall, the piece reflects a fusion of symbolic expression and contemporary abstraction, contributing to the language of modern Bahraini ceramic art. Instagram: @rasool_alghayb This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This contemporary ceramic piece by Kuwaiti artist Fawaz Al-Duwaish presents an organic sculptural composition that merges artistic expression with subtle functional references. Emerging from a rounded base, a series of vertical slab-like elements form a rhythmic structure reminiscent of natural layers such as bark, leaves, or unfolding pages, suggesting growth and movement. The earthy palette of warm brown and creamy white, enriched with flowing streaks and irregular edges, highlights the raw materiality of clay and the firing process. Integrated cylindrical openings introduce a vessel-like quality, yet the work ultimately transcends function, asserting itself as an abstract ceramic sculpture that explores form, texture, and construction within contemporary practice. Instagram: (@fwzbdllh.ldwysh) / (@fawaz_art10) This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic artwork by Marwan Ahmad Tawaha, a Jordanian artist, presents a contemporary sculptural composition that blends abstract form with expressive, calligraphic-inspired elements. The piece is constructed on a circular base with a heavily textured, organic edge, finished in soft bluish tones with subtle reddish-brown linear accents that highlight its contours and handcrafted structure. Emerging from the surface are dynamic vertical and geometric forms, including angular triangular shapes and curved numeral-like or symbolic elements that evoke fragments of language and memory. The glossy glaze and layered surface treatment enhance depth and movement, creating a fluid yet structured visual rhythm. Overall, the work reflects a fusion of material experimentation and conceptual abstraction, exploring themes of identity, symbolism, and contemporary ceramic practice. Instagram: @tawahamarwan This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic artwork by the Jordanian artist Marwan Ahmad Tawaha presents a contemporary sculptural composition that blends abstraction with symbolic, calligraphic-inspired expression. The piece is built on a circular base with a rough, organic edge, finished in soft blue tones accented by subtle reddish-brown details that emphasize its handmade structure. Rising from the surface are dynamic vertical and geometric elements, including sharp triangular forms and curved, script-like shapes that suggest transformed letters or symbolic fragments rendered in three-dimensional form. The glossy glaze and layered surface treatment enhance depth and movement, creating a visual rhythm that feels both fluid and structured. Overall, the work reflects Tawaha’s artistic approach of translating language, identity, and cultural references into expressive ceramic forms that merge material experimentation with contemporary abstraction. Instagram: @tawahamarwan This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is a contemporary work by the Jordanian artist Yacoub Al-Atoom, one of the leading figures in modern Arab ceramic art. His practice is distinguished by organic forms inspired by nature, desert landscapes, and living organisms, which he reinterprets into abstract compositions that balance simplicity with expressive depth. The artwork appears as a richly textured, organic ceramic form that evokes a sense of transformation and life. Its flowing, biomorphic structure suggests a creature-like presence emerging from clay, with layered surfaces and detailed modeling that highlight the artist’s strong focus on material and texture. The piece reflects his approach of turning clay into a contemplative sculptural object that connects human experience with natural forms, merging abstraction with organic inspiration. Instagram: @yacoubatoomceramist This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This contemporary ceramic piece by Kuwaiti artist Fawaz Al-Duwaish reflects his experimental and expressive approach to ceramic art. The work takes the form of a sculptural vessel with a rounded, bulbous base that gradually transitions into an irregular, highly textured neck. The upper section is composed of coral-like and tubular protrusions, giving the piece a dynamic, organic appearance. The surface combines contrasting textures, where smooth glazed areas blend with rough, encrusted sections, enhancing its tactile and visual complexity. The glazing features layered tones of lavender, white, and blue, with subtle metallic and lustrous effects that add depth and variation to the form. Overall, the artwork highlights Al-Duwaish’s interest in organic abstraction and his ability to transform traditional ceramic forms into contemporary sculptural expressions. Instagram: ( @fwzbdllh.ldwysh) / (@2fawaz_art10) This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic sculpture is attributed to the Bahraini artist Abdulrasool Alghayb, whose work is known for exploring human form through expressive and abstract ceramic compositions. The piece features a vertical stacked structure of stylized human faces, arranged in a layered rhythm that creates a strong sculptural presence. Finished in a glossy green glaze reminiscent of jade, the work reflects a balance between contemporary abstraction and cultural ceramic traditions, highlighting Alghayb’s focus on texture, form, and symbolic human expression. Instagram: @rasool_alghayb This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is created by Bahraini artist Mohsen Altaitoon, one of the leading figures in Bahrain’s ceramic art scene and the first president of the Bahraini Potters Society. The work is a hand-built vessel featuring a highly textured surface with intricate carved details that reflect traditional Arabic and Bahraini-inspired decorative motifs. It is finished with a weathered green-teal glaze that enhances the depth and layered quality of the form, while the central area is highlighted with lighter-toned embossed patterns resembling stylized floral or ornamental designs. The combination of rugged exterior textures and refined carved elements reflects Altaitoon’s approach of blending cultural heritage with contemporary ceramic expression. Instagram: @mohsenaltaitoon This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is a sculptural bowl by the Bahraini artist Mohsen Altaitoon from Bahrain. The work features an organic, hand-formed structure with a deep teal-green glazed exterior that opens to reveal a central spherical form resembling a seed. The inner sphere is highly textured, creating a strong visual contrast with the smooth outer surface. This interplay between rough and polished textures highlights the artist’s skill in hand-building techniques such as pinching and carving. The layered glazes add depth and richness, evoking marine or natural elements, while the central form symbolically suggests themes of origin, growth, and continuity—key ideas often reflected in Altaitoon’s artistic practice. Instagram: @mohsenaltaitoon This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

Pottery is not merely a vessel, but an intimate dialogue between clay, water, and fire. And I am the one who gathers them together, with the devotion of a lover, under the sacred name of pottery. The vessel passes through stages of care: from the shaping of clay, to its patient shrinking, until it hardens and becomes ceramic— a craft I embrace with pride, nurtured by my own hands. In my new vessel, a single nozzle was no longer enough. Just as we breathe with two lungs, so must my vessel breathe deeply, inhaling the fire’s burn through two mouths of air. And when the light slips into the body of the vessel, it becomes that glimmer at the end of the tunnel, a promise of passage, a reminder that even clay longs for breath… and for light. Artist: Ali Al-Awadhi is a Kuwaiti multidisciplinary artist specializing in contemporary ceramics. He holds a bachelor’s degree in art education and is considered one of the contributors to the development of the ceramic art movement in Kuwait. His works are characterized by experimentation, innovation, and a modern interpretation of cultural heritage. He has participated in several international exhibitions and art events, and he aims to promote Arabic ceramics globally through his artistic projects, including establishing a studio in London. Instagram: @ali2art This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic sculpture is a distinctive artwork by Marwan Ahmad Tawaha from Jordan. The piece is characterized by its organic, abstract form, featuring flowing contours and a smooth glazed surface with subtle blue tones that add depth and visual elegance. The work reflects Tawaha’s artistic approach of integrating Arabic calligraphy into contemporary sculptural forms, transforming cultural and linguistic elements into expressive visual compositions. Through its balanced structure and fluid design, the sculpture conveys themes of connection, growth, and continuity, blending tradition with modern artistic expression. Instagram: @tawahamarwan This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is a work by Yacoub Al-Atoom, a prominent Jordanian artist in contemporary ceramics. The piece takes the form of a handcrafted dish, distinguished by a deep blue glaze that gradually shifts in tone from the rim toward the center, creating a sense of visual depth and movement. At its center, a raised three-dimensional sculptural element appears, inspired by organic natural forms such as seeds or botanical shapes, reflecting the artist’s strong connection to nature. Instagram: @yacoubatoomceramist This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic plate is a distinctive work by Qatari artist Ahmed Al Haddad, one of the pioneers of ceramic art in Qatar. The piece features a decorated plate design with a stylized bird at its center, a recurring motif in his work that symbolizes life and spirituality. It is dominated by turquoise and white tones, complemented by traditional geometric patterns along the rim, creating a balanced and harmonious composition. The artist’s signature in Arabic, appears at the bottom of the piece, confirming its authenticity. The work reflects his style of blending traditional techniques with contemporary artistic touches, with a clear emphasis on surface texture and glazed finishes. Instagram: @ahmeds_art.qa This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is created by Kuwaiti artist Fawaz Al-Duwaish, a prominent figure in Kuwait’s contemporary art scene and a member of the Kuwaiti Plastic Arts Society. The work reflects the ceramic traditions of Kuwait and the broader Gulf region, while incorporating modern experimental approaches to glazing and surface treatment. The bowl features rich, layered tones of blue, purple, and earthy brown, producing a striking cosmic or celestial effect achieved through advanced firing techniques such as crystalline or drip glazing. The textured surface highlights the artist’s focus on material transformation, color depth, and tactile expression, presenting clay as a medium that bridges heritage craftsmanship with contemporary artistic innovation. Instagram: (@fwzbdllh.ldwysh) / (@fawaz_art10) This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic piece is a sculptural bowl created by Jordanian artist Marwan Ahmad Tawaha, a ceramicist from Jordan known for his innovative approach to contemporary pottery. The work features three-dimensional Arabic calligraphy rising from the surface of the vessel, transforming it into a sculptural artwork that blends traditional craft with modern artistic expression. Tawaha’s style reflects a strong connection between material, form, and language, where clay is used to express flowing calligraphic structures that emphasize both cultural heritage and artistic experimentation within Jordanian ceramic art. Instagram: @tawahamarwan This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This ceramic sculptural piece is by Jordanian artist Yacoub Hussien Al-Atoom, from Jordan, known for his practice that bridges traditional ceramic craftsmanship with contemporary sculptural expression. The work features a richly textured organic form finished with a glossy brown glaze that enhances its depth and intricate surface details. The piece reflects a highly expressive and abstract ceramic language, resembling a fictional organic entity that blurs the line between reality and imagination. It highlights the artist’s focus on texture, form, and experimentation beyond conventional functional pottery, embodying a contemporary approach to ceramic art in Jordan. Instagram: @yacoubatoomceramist This piece is from the First Ceramics Forum organized by Mahdi Gallery, held from January 8 to 15, 2026.

This Egyptian handmade wooden jewelry box reflects the beauty of traditional craftsmanship and the art of mother-of-pearl inlay. It is crafted from high-quality wood such as mahogany and features intricate geometric patterns made from natural materials like mother-of-pearl, bone, and seashell, showcasing refined skill and rich cultural heritage. The lid is often decorated with motifs inspired by Arabic art, adding an elegant aesthetic touch, while the interior is lined with soft red velvet or felt to protect jewelry, coins, or small keepsakes, and its design reflects traditional techniques passed down through time.

This antique wooden box features a refined classical design, likely crafted from high-quality dark hardwood such as mahogany or rosewood, reflecting the elegance of 19th-century European craftsmanship. It is adorned with delicate marquetry inlay work on both the lid and front panel, showcasing symmetrical floral or geometric motifs that enhance its decorative appeal. The piece also includes subtle metal fittings or a small lock, adding both function and aesthetic detail. It was commonly used for storing items such as tea, jewelry, or writing instruments, highlighting both its practical purpose and its sophisticated decorative style.

A blue and white porcelain trinket box decorated with traditional Chinoiserie floral motifs, combining cobalt blue patterns with a smooth white porcelain base. The piece reflects European influence from Chinese ceramic design, particularly popular during the 18th and 19th centuries. It was commonly used for storing small jewelry items or as an elegant decorative serving piece.

This ornate decorative teapot is inspired by traditional Tibetan and Himalayan metalwork, featuring a dark metal body with an elegant, antiqued finish. It originates from the craft traditions of the Himalayan region, particularly Tibet and Nepal, with stylistic influences from Indo-Tibetan metal artistry. Such pieces are generally dated to the 20th century, especially from the mid to late 1900s, while drawing strong inspiration from earlier 18th–19th century Tibetan craftsmanship. The surface is richly decorated using fine filigree wirework and embellished with colorful stone or glass inlays, most commonly turquoise (blue green) and coral (red), both of which hold cultural and spiritual significance in Tibetan and Nepalese traditions. The design features a distinctive S-shaped scrolled handle and raised circular medallions around the body, each filled with intricate ornamental patterns or symbolic motifs. Primarily, this piece serves as a decorative or ceremonial object rather than a functional teapot for everyday use.

This is a portable typewriter known as the Olivetti MP1 (ICO) portable typewriter, one of the earliest models produced by Olivetti in Italy during the 1930s and 1940s. It features a compact, lightweight design with a manual mechanical system and a limited number of keys, along with a smooth, matte black body that reflects classic industrial design. This example also includes an Arabic keyboard layout, indicating adaptation for different markets. Today, it is considered a historically significant piece that combines functional engineering with iconic design heritage.