Paintings

This is a Lithograph on the ruins of a christian chruch in the grand court of the Temple of Medinet Abou by David Roberts.

Convent of St. Saba Lithographed plate entitled "Convent of Saba, Palestine", after a drawing by David Roberts from a set of 124 published in "The Holy Land, Syria, Idumea, Arabia...", 3 vols. Great Britain 1842-9.

A view of Nabataeans City of Petra, Jordan The story of the Nabataeans is a fascinating and integral part of the Petra story. At its height, in the century or so prior to and after the birth of Christ, the Nabataean empire included parts of Jordan, Israel, Egypt, Syria and Saudi Arabia. And the seat of the Kingdom was Petra, a city that the Nabataeans literally carved by hand from the rose-red cliffs of what is now southern Jordan (just north of Saudi Arabia and just west of Iraq).

The art piece picture of a man with strong character, an ink and pastel on paper painting dated October 14 by Eugene Burnand.

The Sphinx, Egypt The Great Sphinx of Giza (literally Father of Dread), commonly referred to as the Sphinx, is a limestone statue of a reclining or couchant sphinx (a mythical creature with a lion s body and a human head) that stands on the Giza Plateau on the west bank of the Nile in Giza, Egypt. The face of the Sphinx is generally believed to represent the face of the Pharaoh Khafra. It is the largest monolith statue in the world, standing 73.5 metres (241 ft) long, 19.3 metres (63 ft) wide, and 20.22 m (66.34 ft) high. It is the oldest known monumental sculpture, and is commonly believed to have been built by ancient Egyptians of the Old Kingdom during the reign of the Pharaoh Khafra (c. 2558–2532 BC)

This is 1839 Print of the Gate of Damascus Jerusalem

Boat in a stream of shallow waters in low light, source of light is not much detailed on the piece.

Convent of St. Saba Subscription and first Edition lithographs Full plate 51 Presented in an acid free mount Original hand coloured subscription edition and Modern hand-coloured lithograph for the first edition of David Roberts The Holy Land. Published by F.G. Moon Son, London 1842-49.

Shrine of the Nativity First Edition lithograph Half plate 84 Presented in an acid free mount Modern hand-coloured lithograph for the first edition of David Roberts The Holy Land. Published by F.G. Moon Son, London 1842-49.

This is a 1993 print of Metalsmith 9100 by the artist Joe C. Torres

The Souq, Sharjah, United Arab Emirates This piece showed the market on a quite time, it is not known if the artist depicts the work in early morning or in the middle of the day since the source of light is not detailed.

The art piece pictured a middle eastern man of character not known but by the intensity of the way he looks on.

This is Hebron March 18th 1839 lithograph by David Roberts, R.A.

This is a vintage watercolor painting in vivid colors, depicting Arabian Village Life. Painted in 1977 by Ghulam Ali.

Descent Upon the Valley of Jordan First Edition lithographs Full plate 47 Presented in an acid free mount Modern hand-coloured lithograph for the first edition of David Roberts The Holy Land. Published by F.G. Moon Son, London 1842-49

This is Jerusalem from the Mount of Olives April 8th 1839 lithograph by David Roberts, R.A.

This is a print of a village in North Yemen by Joe C. Torres.

This undated painting , of Old Bahrain Village Scene featuring Bahraini tradition and culture of everyday life, was painted by Moosa Al Demstani, a famous Bahraini artist in watercolor.

This is a watercolor painting on a series of paintings on the Village Scene subject by the famous Sri Lankan Artist Tissa Hewavitarne, painted in 1990 on a paper.

Another watercolor piece, by Sri Lankan Artist, Tissa Hewavitarne, of a Village scene, showing a pond, painted on paper in 1989.

A Village scene watercolor painting of man riding on a cart by Tissa Hewavitarne.

This is a lively watercolor painting of Local market scene by Tissa Hewavitarne.

A Village scene watercolor painting emphasizing strong and hardworking woman on a farm field by Hevilla Jr.

A Village scene, ink and watercolor on paper painting of woman entering a building from a desolate road by Abdul Wahab Koheji.